![](http://jargm.com/wp-content/uploads/2023/01/snakeentrance.jpg)
In one of my active Dungeons & Dragons campaigns, the group discovered an ancient ruin in the dessert, where the entrance is a giant stone snakes mouth. As we are playing on the Alchemy RPG platform, I wanted to provide them a cool background for this epic location. I’d like to share my process of creating this background with you:
![](http://jargm.com/wp-content/uploads/2023/01/snakeentranceanimated-1024x576.jpg)
getting stock for the final idea
Because I’m sadly not talented in drawing digital art, I have to rely on the stuff other people create and share. I like to use artstation.com to find inspiring artworks that I can use in my campaigns. Sometimes I stumble across the perfect image to use, most of the times my vivid imagination isn’t satisfied by the results. In those cases something new needs to be created. I knew that I wanted a dark hall or cave, which focuses the viewers attention on the entrance. I found this artwork by Krzysztof Orczyk which seemed to be perfect for my needs:
![](http://jargm.com/wp-content/uploads/2023/01/krzysztof-orczyk-magia-i-miecz-1024x576.jpg)
Just one thing wasn’t what I looked for: The entrance being a skull. I needed it to be a snakes head. So I kept on searching and found another masterpiece:
![](http://jargm.com/wp-content/uploads/2023/01/jonas-hassibi-naira-illustration-snakeentrance-015-1024x563.jpg)
This stunning art provided the perfect snake entrance. Now I just had to put them together. Using Photoshop, I merged two artworks into one, resulting in this:
![](http://jargm.com/wp-content/uploads/2023/01/snakeentrance-1024x576.jpg)
I removed the skull and the swords, as they didn’t fit into my lore. Then I took the snake head entrance from the second artwork, and made a few adjustments in color and so on.
Afterwards I wanted the scene to be animated, as the torches seemed perfect for me to be animated. I removed the fire in Photoshop, and used After Effects to create animated fire. I also chose to lit the snakes eye up a bit more sporadically, so that it omits a stronger green light for some time in the finished scene. The final result was this:
If you are interested in a speedlapse of how I created the scene in photoshop, feel free to subscribe to my newsletter.
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